In a pale blue sky, the moon's a hook
for the ships of memory to moor to.
On this beach, Myrmidons drive Mercedes.
The anger is passive aggressive,
expiating vain resentments
in varicose truths whose only promise is death
by neglect, neglect by apathy,
apathy by email link.
in the plane trees birds hunker down
for storm. lightning frightens my chihuahua,
though he ventures onto the porch
during a lull, drawn to the thing he fears most
like an actress in a grind house movie,
doomed well before she dies. And we watch,
fascinated by the mechanics of extinction.
I'd axe blood's root and
rip the needle of life from my veins.
But I've trained the armor of self
too long on the kill zone in the brain,
decimating days with a careless look,
decimating cities with secret glee
just to see their dead flicker
from the tv screen. The zombies
of our paranoia populate worlds.
My Helen sleeps in her tower, watching
dreams of demon lovers. Their passion
for order and calm stokes her desire.
She wants to be seen on both sides
of the door, inside and out, a page of music
slowly torn in a cavern of dream,
never seen. The silent foot falls
in the room filled with lost needs.
Silence begs release.
Fireflies bejewel the oaks near the spring
whose waters liquefy the night. Anonymous
along the suburban road, its grove of stone
bench, shaded pool, and Spring house
evoke the numina that have no name.
I knew a man in a desert town
who swore by water and the ditch
whose veins fed mountain gardens
and apple orchards. His lore
of sunflowers, commune fires and a
rider on a white horse ignited
the daily apocalypse.
An endless loop of words speaks in tongues
in the vacant lot. The voices trace
the grammar of rage. Dreams betrayed,
hearts torn live from their nest and burned,
the horror of their atrocities an unbidden
guest at the altars of remorse.
Confession will come. It will come.
With the cruel logic of karma, sin
and guilt define new skin, new blood.
Embrace the fire that refines what once
arose from ash born to return to ash.
copyright 2011 Charles David Miller. All rights reserved.
Saturday, September 17, 2011
Passive Aggressive
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Very captivating imagery and wonderful usage of words!
ReplyDeleteEnjoyed reading this one Charles :)
Loved this line - "Embrace the fire that refines what once arose from ash born to return to ash"
heck...tight images and tight emotions charles...you're so good in capturing streams that i think run beneath the surface in each of us sometimes...and we won't allow them to dive up...I'd axe blood's root and
ReplyDeleterip the needle of life from my veins... think that's my fav...
whew..intense in imagery and in message...like the refining fire in the end...malachi 3:3
ReplyDeleteThe anger is passive aggressive,
expiating vain resentments
in varicose truths whose only promise is death
by neglect, neglect by apathy,
apathy by email link...ha...nice progression in that...
the mechanics of extinction, nice turn of phrase that as well...
Wow! Again. Your work, crazy. Deep, images, pensive. mixing ancient with modern. Great!
ReplyDeleteintensely capturing my minds eye in the drift... i felt the float of good fiction and ate up every stanza like a rabid cow... chihuahua is a great word... did you use it because its a great word or do you actually own one...after reading this i was expecting a Rotweiler or Doberman :D
ReplyDeletenice work charles - a V enjoyable read...
S3 floated my boat to Noah :
all good, "
ReplyDeleteMyrmidons drive Mercedes.
The anger is passive aggressive,..."
pretty much drags you into the rest of it. well done.
Fireflies bejewel the oaks near the spring
ReplyDeletewhose waters liquefy the night.' love this line Charles - but what lovelyn images and thoughts weave - striking images plunge into deeper layered meaning that reveal like opening petals of a flower - karma good or bad reflects the journey - great piece - hgs lib
This is breathtaking, literally, I'm drawing a deep breath about every four lines--a reflective and visual opening, a painting of the quotidian suddenly disrupted by the spray paint of storm, and that lyric and stand out fourth stanza--just ungodly beautiful...and the preceding one made me picture the passive aggression of a video game where one wields power over pixelated millions, and it all means nothing. Then the superb denouement of the close with its finely wrought sculpted philosophies. Fine writing and possibly one of your best I've ever read.
ReplyDeletethis one throbs with life, as all the veinous matter within. most beautiful! ~jane
ReplyDeleteRip the needle of life from veins.... Yikes, very vivid imagery.
ReplyDeleteThis is so deep, and intricate. The zombies are truly out 'there' now, aren't they!
Gripping read Charles.
Charles, I think I can literally feel you pouring yourself into this. There is no room for critiquing, just a complete immersion into your words. This is the rendering of a poet's soul laid bare...there is no favorite line, no catchy phrase that steals the spotlight...this is just, quite simply AWESOME!
ReplyDeleteJust happened to note Tash's comment and she articulates well my thought...the cohesiveness of the whole. I do like how you use the mundance to express the somewhat esoteric.
ReplyDeleteThis is the real thing, Chaz, poetry of the heavy duty variety, words that grab your wrists and jerk you into your chair, lulls of loveliness punctuated by knuckles behind your knees; like the line /the silent foot falls in the room filled with lost needs/--the piece is so good, so rich, it makes most of us wish we were better writers, more skillful; like you.
ReplyDeleteThose first two lines are awesome!
ReplyDeleteThe everyday is mythic; the quotidian apocalyptic--wonderful poem! My favorite line: "a page of music slowly torn in a cavern of dream, never seen."
ReplyDeleteCharles -very beautiful - I can't pretend to understand it all, but of course am snagged by certain lines and images, and then what also came to mind - Eliot:
ReplyDeleteIf there were water
And no rock
If there were rock
And also water
And water
A spring
A pool among the rock
If there were the sound of water only
Not the cicada
And dry grass singing
But sound of water over a rock
Where the hermit-thrush sings in the pine trees
Drip drop drip drop drop drop drop
But there is no water
k.
K, the Eliot quote is interesting in this context, given the kind of WasteLandish images in the poem. I must say though that Eliot never crossed my mind when writing this. I would confess to a vague allusion to Pynchon and crying of lot 39. The water images were associated in my mind with the idea that here's water, which no one knows now where it originates, though in other tmes/places everyone coukd be saud to know where the water comes from. There's even a hint atbthe Hopi idea of the Sipapu, especially with reference to numina etc. I guess the best I can argue in my defense is what Harold Bloom calls the anxiety of influence, or at least the notion that in a culture immersed in texts, thise will infiltrate one's thoughts/fellings/imagination in unseen ways.
DeleteHi Charles - I didn't think it was a direct reference, but I was conscious of the wasteland aspect and that beautiful gleam of that water mid-poem. Of course, you are tapping into something quite universal though you are so wonderfully specific in your particular details.
DeleteThanks also for your kind comments. k.
Really cool write Charles. The style of tone and story-telling feel is amazing. Allusions are always fun in poetry and you put some really clever ones in here, incorporating them in some really nice lines
ReplyDeletelike an actress in a grind house movie,
doomed well before she dies. And we watch,
fascinated by the mechanics of extinction.
I'd axe blood's root and
rip the needle of life from my veins.
My Helen sleeps in her tower, watching
dreams of demon lovers
Are but three of the many really neat lines in this one.
Thanks
i'm speechless! stunning!!!
ReplyDelete...Myrmidons drive Mercedes...
ReplyDelete...apathy by email link...
enjoyed, enjoyed, enjoyed!
apathy by email link and chihuahuas
ReplyDeletetorn music pages
helen sleeps in the tower
a rider on a white horse
ignites the daily apocalypse
varicose truths
and vein fed mountain gardens
the grammar of rage
an unbidden guest at the altar of remorse
confession and ash
sin and guilt define new skin
ash born to return to ash
There are so many images in your poem and about 10 poems in one poem with so many religious reference It is so tempting for a collage poet to deconstruct these .I apologise in advance for yielding to my intrinsic weakness of deconstructive poetic urges:)